I found Edward Shanken’s take on Technoshamanism deeply fascinating, especially his refusal to treat nature and technology as opposing forces. What really stood out to me was the idea of artists acting as modern shamans using wet (biological), dry (silicon), and moist technologies to build symbiotic relationships between humans, machines, and the broader ecosystem. His framing of interdisciplinary art as a psychic dress rehearsal for the future is a compelling way to look at how we might navigate our current ecological crises. Ultimately, the paper completely shifted my perspective, leaving me thinking a lot about how we can repurpose emerging tech not just for standard innovation, but as genuine tools for expanding consciousness and planetary healing.