Dorothy Feaver’s article on Ryoichi Kurokawa introduced me to an artist who thinks like both a scientist and a poet. Kurokawa’s ability to dissect natural phenomena and rebuild them into immersive audiovisual experiences is captivating. While I found the technical aspects of his work slightly intimidating, the underlying themes of synesthesia and “denaturing” nature resonated with me.

The article paints a vivid picture of Kurokawa’s process, from the isolated Berlin studio to the collaborations with his producer. His concerts, like syn_, aim to fuse sound and image, creating a total sensory experience. The concept of “denaturing” nature, using data to reveal hidden structures, is equally intriguing.

What struck me most was Kurokawa’s almost architectural approach to time and space. He’s not just creating art; he’s designing experiences that challenge our perception. The article left me pondering the relationship between technology and nature, and how artists like Kurokawa can help us see the world in new ways. While I’m not sure I fully grasp the technicalities, I’m definitely curious to experience Kurokawa’s work firsthand and get lost in his synthesized sensory landscapes.