The idea that synaesthesia and deconstruction of nature are the two main things that Kurokawa bases his work around made me think of what we are doing for this class through another lens. We also organize our work around the concept of synaesthesia, while we might not clinically have it, in the end, we are making sound and visuals that we find associate with each other somehow. The reading also mentions how “nothing is solid in Kurokawa’s universe” and how the instability of his visual compositions sets him apart. I’m not sure if this is what they meant, but the way I understood it is that your work doesn’t always have to be ‘clean’ or ‘aesthetic’ to send the message you want across within your composition. The reading also mentions the Japanese concept of ‘wabi-sabi’, in which pleasure is found through imperfections, and while that does resonate with Kurokawa’s work, it also resonates with what we have been told throughout the class, to do what feels good to us, and that what might sound good to me might not sound good to another person.