About Strudel:
Strudel is a version of Tidal Cycles that was initiated by Alex McLean and Felix Roos and developed in 2022. It’s a web browser based platform (hence does not require internal, external software installation unlike Tidal Cycles) that primarily focuses on musical composition and sound synthesis and used to create algorithmic music patterns. It’s a beginner friendly platform, written in JavaScript through pattern-based programming which makes it easy to parse. This pattern-based syntax enables users to define musical elements: rhythms, melodies, effects, using simple text-based patterns. Essentially, music is described using structured symbols and sequences rather than utilizing traditional sheet music, or necessitating complex programming.
Live coding with Strudel is different from conventional performance art. It has no associations with generative art but rather places a central focus on music. This artistic performance is embodied through code projection with Strudel itself allowing for instant feedback, enabling for a seamless and fluid performance and further enhancing live coding culture. Moreover, it’s innovative as a cultural expression for one of 2 interrelated reasons. Strudel allows for democratization of music creation. By lowering the technical barriers that demarcate coding, this performance act is made more accessible to a greater range of audience that embody diverse backgrounds. Moreover, Strudel as a platform, also contributes to the ethos of live coding which accentuates transparency and shared knowledge. This is profound as it reflects the prominent cultural shift toward openness and collective growth in digital arts where code itself materializes as a means of creative exchange. Platforms like Strudel therefore promote live coding to be a more inclusive and participatory artistic practice.
Live Coding Demo and Process:
Overall, I’m incredibly satisfied with the final result. What I have come to realize is the immense joy and fulfillment derived from the process of experimentation and exploration in creating an ever-evolving sonic experience! Given my stronger affinity for sound over visual elements, this journey has been particularly enjoyable. Initially, I felt overwhelmed by the unfamiliar notations, but after reviewing the workshop documentation—First Sounds, First Notes, First Effects, and Pattern Effects—I began integrating new functions to observe firsthand how the sounds would transform. This process involved considerable trial and error—duplicating and adjusting code, fine-tuning numerical values, and mix-matching sound effects, all while combining them with varying parameters. Once I established an initial piano melody, I proceeded to build upon it by layering additional musical elements: 2) drum beat, 3) main melody, 4) supporting guitar melody. The outcome surpassed my expectations, and I am genuinely pleased with how it has all come together.
Time taken – 2.5-3 hours!!!