Kurokawa’s perspective on nature is grounded in a deep patience that I find interesting. He mentioned that nature doesn’t change overnight but evolves gradually, and he applies that same logic to his own work. He isn’t interested in the frantic race to keep up with every new tech development. Instead, he focuses on what he calls his “incremental evolution.” It makes his process feel much more intentional, like he is growing his art the same way a forest grows, rather than just chasing the next big update.

The author also mentioned Kurokawa’s two conceptual hangers, which are synaesthesia and the deconstruction of nature. Seeing his ATOM performance on YouTube really made those ideas click for me. It was not just a show. It felt like watching nature get dismantled and put back together in real time. The way the visuals fractured and then snapped back together in milliseconds felt exactly like the time design the writer described. It reinforced that idea of absolute instability, showing that nothing is actually solid and everything we see is just fragments in flux.

What I took away most was his wabi-sabi vibe. In a world where everyone is obsessed with the latest AI or new gadgets, he is just chilling and totally indifferent to the tools. He cares about the evolution of the work rather than the specs of the computer. It makes his cataclysmic walls of noise feel a lot more human. He is just a guy trying to find a bit of order in the chaos of the universe. He moves between the microscopic and the cosmic without ever losing his footing.