Kurokawa’s method of composition is innovative in its approach as it combines the science of synesthesia and the deconstruction of nature. It is interesting that he approaches these two subjects from a mechanical standpoint in addition to an aesthetic one. Synesthesia is all about how the body and brain perceive the senses, and nature is all about its impact on the body. He also brings in a third element, which is time, to give more prominence to synesthesia and nature’s impact overall. The effect is visible in his digital and computational landscaping work of shaping graphics, universal images, lines, etc. Kurokawa seems to be very methodical in his approach to creating his composition pieces. He is doing his work of helping nature evolve, sculpt time, and find pleasure through acknowledging transience and imperfection.