As a singer-songwriter who has created basic melodies using simple notes and chords, encountering the discussion about information theory’s applicability in music composition is like discovering a buried treasure mine of creative inspiration. The discovery that randomness and entropy within musical sequences assist in the formation of new melodies fills me with astonishment and excitement.
Traditionally, my compositions may have followed recognizable patterns, depending on predictable melodic and harmonic structures to express emotional depth and narrative resonance. However, the insights gained from the discussion of information theory contradict this conventional approach, prompting me to accept the intrinsic unpredictability of musical expression. The idea that incorporating noise into compositions can add dynamism resonates strongly with my artistic sensibilities. It opens up a whole new realm of experimentation and fun. Also, I completely agree with the fact that repetitive patterns devoid of evolution and form fall short of achieving true musicality. It is very tempting for any musician to just keep on repeating the melodies they’ve discovered – a reason being it is hard to compose new melodies frequently. However, as I listen to my own music, I feel like any form of change in the melody – or even a change in rhythm can elevate it to a newer level. Still, I struggle to find that change. The realization that even a small bit of noise and experimentation with such noise can aid me in finding that change is something really exciting to me.

The idea of harnessing randomness as a creative tool to counteract redundancy and enhance musical expressiveness is both intellectually stimulating and artistically liberating. By introducing controlled randomness into my compositions, I can breathe new life into familiar melodies, transforming them into dynamic expressions of musicality that resonate deeply with myself and with anyone who may listen to my music.