“Our sense of anticipation grows as we wait for something more, for change, uncertainty, the unpredictable, the resumption of information”

 

This sentence in the article was the first thing that caught my attention. Spiegel claims that the same block of music becomes boring the more we listen to it. While I do agree with this and I have experienced it, especially while preparing for the in-class performance, I still have to wonder to what extent this applies. When I take into consideration the songs and music I listen to, I find myself playing the same playlist every time, despite knowing each song in there by heart. This made me wonder why is it that we get bored of some music faster than other ones? If what Spiegel said is true, then why do we keep coming back to the same songs over and over again despite knowing exactly how the progress? 

 

Spiegel mentions that by adding noise to the composition, we can make it more interesting because of the decrease in predictability. But as mentioned in class, we still need to have some sort of rhythm or base for the music to sound good. How do we know how much randomness or noise is too much? How do we find the balance between predictability and randomness to create a piece that will always be engaging? Is it even possible to create a piece that will never get boring?  

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes:

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>